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Friday, 26 October 2012
Children of Men Messages and Ideas Mind Map
Thursday, 25 October 2012
Thursday, 4 October 2012
Psycho & V for Vendetta Shower Scene Comparison
In V for Vendetta the shower sequence is very open, it captures the character in his bathroom alongside full television screens and large quantities of shower space. The main shots types used throughout the sequence are medium closeups and medium long shots. These help to reinforce the idea that it is fairly open and other aspects of the surroundings are captured in the framing used.
In Psycho the sequence is quite enclosed. This scene shows the character in the shower, through the use of closeups and extreme closeups. Filming the scene this way makes the audience more intimate with the character. This can be see as very voyeuristic, showing shots of the female character while she is naked and vulnerable in the shower. It is an invasion of her privacy, as she considers herself safe and secure in the protection of her home. Linked with voyeurism is the male gaze, viewing a woman from a heterosexual mans point of view. Like voyeurism, the male gaze bears sexual aspects seeing women as objects of male pleasure.
In comparing V to Psycho in this aspect, Psycho is considered voyeuristic whilst V for Vendetta is not. As stated previously this refers to the different types of shots used in both sequences. Having a female as the character can be seen as more voyeuristic, on the basis it can be reinforced by the male gaze. Being closer to the character allows for details to be captured and a more intimate feel. There is also more frontality used in psycho, which makes the audience feel as though they are incorporated within the sequence. This is not the case in V for Vendetta as the character, when in the shower, spends the majority of the time with his back to the camera.
We also see how suspense is present in both sequences. This is seen through the shadow slowly emerging over the shower curtain, and the entrance of V using Evey's ID card. After seeing this, we begin to predict what will happen to the characters, who both eventually befall the same fate. At the moment conflict begins, we are greeted with a sudden appearance of the killer, breaking the suspense and acting as a surprise which initially shocks the viewer.
In both Psycho and V for Vendetta different angles are used to show different things. On both the victims high angles are used. This is to convey vulnerability and weakness in the current scenario. It shows how the victim has very little or no power. The killer however is shot with a low angle. This shows that the killer has the most authority and power.
In conclusion both sequences have similarities and differences. The main differences are that one is considered voyeuristic and the different types of shots used changes the atmosphere and intensity of the scene. Psycho is very enclosed and closeup, establishing an intimate and intrusive feel. V for vendetta is quite open, incorporating the character's surroundings as well as the character's emotions. When it comes to similarities, both sequences uses camera angles to communicate authority. They also build suspense throughout the entire scene.
In Psycho the sequence is quite enclosed. This scene shows the character in the shower, through the use of closeups and extreme closeups. Filming the scene this way makes the audience more intimate with the character. This can be see as very voyeuristic, showing shots of the female character while she is naked and vulnerable in the shower. It is an invasion of her privacy, as she considers herself safe and secure in the protection of her home. Linked with voyeurism is the male gaze, viewing a woman from a heterosexual mans point of view. Like voyeurism, the male gaze bears sexual aspects seeing women as objects of male pleasure.
In comparing V to Psycho in this aspect, Psycho is considered voyeuristic whilst V for Vendetta is not. As stated previously this refers to the different types of shots used in both sequences. Having a female as the character can be seen as more voyeuristic, on the basis it can be reinforced by the male gaze. Being closer to the character allows for details to be captured and a more intimate feel. There is also more frontality used in psycho, which makes the audience feel as though they are incorporated within the sequence. This is not the case in V for Vendetta as the character, when in the shower, spends the majority of the time with his back to the camera.
We also see how suspense is present in both sequences. This is seen through the shadow slowly emerging over the shower curtain, and the entrance of V using Evey's ID card. After seeing this, we begin to predict what will happen to the characters, who both eventually befall the same fate. At the moment conflict begins, we are greeted with a sudden appearance of the killer, breaking the suspense and acting as a surprise which initially shocks the viewer.
In both Psycho and V for Vendetta different angles are used to show different things. On both the victims high angles are used. This is to convey vulnerability and weakness in the current scenario. It shows how the victim has very little or no power. The killer however is shot with a low angle. This shows that the killer has the most authority and power.
In conclusion both sequences have similarities and differences. The main differences are that one is considered voyeuristic and the different types of shots used changes the atmosphere and intensity of the scene. Psycho is very enclosed and closeup, establishing an intimate and intrusive feel. V for vendetta is quite open, incorporating the character's surroundings as well as the character's emotions. When it comes to similarities, both sequences uses camera angles to communicate authority. They also build suspense throughout the entire scene.
Juxtaposition in The Domino Montage
In the domino sequence from V for Vendetta, juxtaposition is used throughout to convey how actions and scenarios are linked. We see this in the following stills, which are located directly one after the other in the sequence.
The first use of juxtaposition is the comparison made between the starting domino and the train yard. In showing these shots together, the audience makes the connection that both scenarios are linked. Through personal experience we known domino's require precision, for the desired goal to knock them all down. When we compare this to the train yard, we make the connection that trains also require precision, in following train schedules and ensuring trains arrive on time. In seeing the single domino and the train yard, the audience may see it as the starting point for two different processes.
The second part of juxtaposition which can be detected in the sequence is when the rose cuts to two ladies sharing an intimate moment. Although very different things, the audience can see these to symbolise romance and peace. In relation to the scenarios, the detective is looming over a rose in a dark environment. But then we see two people in love, in a bright free flowing environment. With these in mind, the viewer can also interpret it as life and death.
Another use of juxtaposition in the sequence is when we cut from a door with a chalk X on it, to Mr Creedy holding some chalk. This is used to reveal narrative. We haven't seen Mr Creedy physically draw a chalk X on the door, but where he is shown holding the chalk directly after, the audience makes the assumption he has drawn the X. In doing this gives the audience some responsibility in following the story line, therefore keeping the audience engaging with the film.
The next image captures Evey in the rain and V in the fire. They are also both adopting the same pose, of raising their hands up towards the sky. This shows the viewer Evey and V can be both very similar, but at the same time completely different. The surroundings can be interpreted by the viewer to reveal the different things about the characters. Evey being in the rain shows us she is calm and that it reflects a new start or way of life. Rain can also be used to reflect the continuation of life, as water is necessary for life to thrive. V on the other hand is consumed by flames, which can mean anger and frustration. It can also show the audience that V is a character who has been associated with evil and darkness. We can also see this as a new start like that of Evey's, symbolising the tale of the phenix which rises from the ashes to create new life. In putting these shots together makes the audience compare all these different features.
In the sequence, the symbol of V is displayed multiple times one after the other. It can refer to the large scale of which V has impacted society. It may also reflect his different methods of operation, through showing the symbol to the audience in different mediums e.g. a cell door, fireworks, a poster and dominos. Above all else it reinforces V as the protagonist and all that he has accomplished.
We also see many faces from people who have been in the film to this point. Firstly we see V, then it cuts to various other people all situated in different location. This is done to make the viewer observe everyones reactions and facial expression in response to V. Every persons facial expressions conveys a sense of seriousness and concentration to what is being said by V, revealing no one likes the state of the current society they live in. Like the symbols of V, showing all these people helps reinforce the large scale being portrayed.
The final piece of juxtaposition is when V triggers the dominos, then it cuts to the riots in the streets and the police officers moving forward. This can show the spark/commencing of the conflict that has arisen from V's actions. Showing the falling of the dominos can be seen to mimic the forward movement of the police through the street.
The first use of juxtaposition is the comparison made between the starting domino and the train yard. In showing these shots together, the audience makes the connection that both scenarios are linked. Through personal experience we known domino's require precision, for the desired goal to knock them all down. When we compare this to the train yard, we make the connection that trains also require precision, in following train schedules and ensuring trains arrive on time. In seeing the single domino and the train yard, the audience may see it as the starting point for two different processes.
The second part of juxtaposition which can be detected in the sequence is when the rose cuts to two ladies sharing an intimate moment. Although very different things, the audience can see these to symbolise romance and peace. In relation to the scenarios, the detective is looming over a rose in a dark environment. But then we see two people in love, in a bright free flowing environment. With these in mind, the viewer can also interpret it as life and death.
The next image captures Evey in the rain and V in the fire. They are also both adopting the same pose, of raising their hands up towards the sky. This shows the viewer Evey and V can be both very similar, but at the same time completely different. The surroundings can be interpreted by the viewer to reveal the different things about the characters. Evey being in the rain shows us she is calm and that it reflects a new start or way of life. Rain can also be used to reflect the continuation of life, as water is necessary for life to thrive. V on the other hand is consumed by flames, which can mean anger and frustration. It can also show the audience that V is a character who has been associated with evil and darkness. We can also see this as a new start like that of Evey's, symbolising the tale of the phenix which rises from the ashes to create new life. In putting these shots together makes the audience compare all these different features.
In the sequence, the symbol of V is displayed multiple times one after the other. It can refer to the large scale of which V has impacted society. It may also reflect his different methods of operation, through showing the symbol to the audience in different mediums e.g. a cell door, fireworks, a poster and dominos. Above all else it reinforces V as the protagonist and all that he has accomplished.
We also see many faces from people who have been in the film to this point. Firstly we see V, then it cuts to various other people all situated in different location. This is done to make the viewer observe everyones reactions and facial expression in response to V. Every persons facial expressions conveys a sense of seriousness and concentration to what is being said by V, revealing no one likes the state of the current society they live in. Like the symbols of V, showing all these people helps reinforce the large scale being portrayed.
The final piece of juxtaposition is when V triggers the dominos, then it cuts to the riots in the streets and the police officers moving forward. This can show the spark/commencing of the conflict that has arisen from V's actions. Showing the falling of the dominos can be seen to mimic the forward movement of the police through the street.
Wednesday, 3 October 2012
Editing Techniques & Narrative Meaning in V for Vendetta (Clip One)
The first editing technique used within the sequence is known as parallel editing. This is between the two characters, Evey and V. It is used to show specific actions, of which are taking place in different locations. Parallel editing captures the two scenarios together as they will eventually connect or link in some way. It also reveals to the audience that the two scenarios are happening simultaneously.
The images below shows how parallel editing has been used to compare the process of getting ready to leave the house, for both characters. This shows the audience the characters are connected or will interact with one another in the film at some point. With this in mind, it builds suspense and makes the audience establish an enigma, questioning how and why the characters intertwine. It can be seen that each scenario portrays an extreme; comparing woman with man, peace with war and ignorance and realisation. A tool used to link the scenarios to the same time is the television, with provides a constant source of information which flows between cuts.
Still on the topic of parallel editing, the next image helps convey some of the outstanding comparisons which are made. The image shows Evey putting on a necklace, compared to V putting on a knife belt. It can show how in the same society, there are those who are ignorant to certain aspects of life, whilst others are aware, feeling they are not safe and require protection. It may show how masculinity and strength define V, while on the other hand Evey is conveyed as feminine and delicate through the use of a necklace. Linking to this, is the idea of being aware and prepared for conflicted.
Finally the last editing technique which is used is match on action. This is used during combat between V and the fingermen. This refers to the actions of V, throwing a finger man into the wall and cutting one of the fingermen's belts off. In showing the audience the effects of V's actions, allows the audience to witness the power V holds other the others around him. It also adds to continuity.
The images below shows how parallel editing has been used to compare the process of getting ready to leave the house, for both characters. This shows the audience the characters are connected or will interact with one another in the film at some point. With this in mind, it builds suspense and makes the audience establish an enigma, questioning how and why the characters intertwine. It can be seen that each scenario portrays an extreme; comparing woman with man, peace with war and ignorance and realisation. A tool used to link the scenarios to the same time is the television, with provides a constant source of information which flows between cuts.
Still on the topic of parallel editing, the next image helps convey some of the outstanding comparisons which are made. The image shows Evey putting on a necklace, compared to V putting on a knife belt. It can show how in the same society, there are those who are ignorant to certain aspects of life, whilst others are aware, feeling they are not safe and require protection. It may show how masculinity and strength define V, while on the other hand Evey is conveyed as feminine and delicate through the use of a necklace. Linking to this, is the idea of being aware and prepared for conflicted.
Another editing technique in the sequence is the use of establishing shots to create a spatial relationship. In doing this, the audience now has an understanding on the surroundings and environment of the character(s). Through understanding the characters location, the viewer will find it easier to follow the plot. For example, Evey being out in the street shows the audience she is in a place of danger by defying curfew.
To show a conversation between the fingermen and Evey, a shot/reverse shot editing technique is used. It uses over the shoulder shots which help in communicating the fact that the fingermen have authority in the situation, by having Evey look up to them, creating the same effect as a low angle.
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